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Doug Puller

thou.ART.worthy
art.creativity.life.

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  1. New Mixed Media Artwork: “Choices” by Doug Puller
More photos here.

“I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides, from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.”
Poem “Layers” by Stanley Kunitz

    New Mixed Media Artwork: Choices” by Doug Puller

    More photos here.

    “I have walked through many lives,
    some of them my own,
    and I am not who I was,
    though some principle of being
    abides, from which I struggle
    not to stray.
    When I look behind,
    as I am compelled to look
    before I can gather strength
    to proceed on my journey,
    I see the milestones dwindling
    toward the horizon
    and the slow fires trailing
    from the abandoned camp-sites,
    over which scavenger angels
    wheel on heavy wings.
    Oh, I have made myself a tribe
    out of my true affections,
    and my tribe is scattered!
    How shall the heart be reconciled
    to its feast of losses?
    In a rising wind
    the manic dust of my friends,
    those who fell along the way,
    bitterly stings my face.
    Yet I turn, I turn,
    exulting somewhat,
    with my will intact to go
    wherever I need to go,
    and every stone on the road
    precious to me.
    In my darkest night,
    when the moon was covered
    and I roamed through wreckage,
    a nimbus-clouded voice
    directed me:
    “Live in the layers,
    not on the litter.”
    Though I lack the art
    to decipher it,
    no doubt the next chapter
    in my book of transformations
    is already written.
    I am not done with my changes.”

    Poem “Layers” by Stanley Kunitz

     
  2. Lamp is Light, Art, AND a Cuddly Friend

    I want one. Very creative lighting design that has a really unusual creature-like appearance, plus it’s knitted which is cool.

    By Pudelskern Design.

    Is it an eye, or is it a lamp? Smoothly it turns its head and searches the ground. From the corner it follows the dark edges and spaces in between, illuminating spots the sun never reaches. Looking like a dweller of unknown worlds, Feeler is a flexible lamp. The cosy tube can be used as a cuddling lamp on the floor or as sculptural lamp, pendant or freestanding. Feeler is a good friend for a lifetime.

     
  3. Transformative Art: Decaying and Decomposing Sculpture

    Tim Silver is an artist concerned with transformation and the boundaries of permanence and the temporary. Silver works across a variety of media that includes melted crayons, watercolor pigment and even bubblegum. The artist painstakingly renders a sculpture in weak and impermanent material, bestowing the work a great fragility and aesthetic appeal. Silver then records his works in their varying degrees of decay.

    A visually compelling and conceptually rich piece is Rory. Silver cast a life size sculpture of a young boy in blue watercolor pigment that the artist had made himself using an old 1940s recipe. The mold was painstakingly built up by layers of 1mm at a time over a period of months. The sculpture was installed with a water droplet positioned over Rory’s eye. Silver cataloged the effect of the dripping water, recording how it eroded his features and gradually collapsed completely having absorbed too much water.

    Silver draws upon flux theory, highlighting that all forms and systems are in a constant process of change. There is something unsettling about Silver’s approach which is to first appropriate an object of beauty and admiration for his destructive experiment. The whole performance is underscored by the knowledge that it is his own carefully constructed sculptures which the artist willingly forces decomposition upon, capturing the installation through a series of emotionally removed photographs which show the progressive change. Despite conjuring notions of the fragility of life in his work, Silver manages to celebrate mortality as part of a wider cycle of nature and thus finds an uplifting poetry in the inevitable demise of all things.

     
  4. Broken is Beautiful: The story of Stephanie and her interesting approach to art. She demonstrates how broken can be made beautiful through art and creativity.

    From People of the Second Chance

     
  5. Turning currency into art with these hand carved coins.

    Although the history of carving miniature bas relief sculptures into coins stretches back to the 18th century if not earlier, it was greatly popularized in the early 20th century with the introduction of the Buffalo nickel. This particular coin was minted using soft metal and was imprinted with the portrait of an indian with bold features, making it easier to deface and transform into the portraits of other people, animals, or even scenery.

    Add to that the idle hands of unemployed artists struggling to let out their creativity during the depression (thus, “hobo”) and soon a flood of curious treasures were born. Most of the images on hobo nickels are too folk artsy for my taste, however a number of artists etched away the flesh of the subject to reveal these awesomely macabre skulls.

    Hobo nickel carving remains a popular hobby today and it even has a society. Don’t you wish we had actual money that looked like this? Images linked to their sources, most of which are live Ebay auctions and have sold for quite a bit.

    View more of these coins here.

     
  6. Paper sculptures of household objects… Jennifer Collier’s art is achieved by bonding, waxing, trapping and stitching unusual paper ‘fabrics’.

    The papers are treated as if cloth, with the main technique employed being stitch; a contemporary twist on traditional textiles.

    The papers themselves serve as both the inspiration and the media for her work, with the narrative of the books and papers suggesting the forms.

    Jennifer (as I do also) gives new life to things that would otherwise go unloved or be thrown away.

    Jennifer’s website

    (Source: danceabletragedy)

     
  7. Persist. An inspirational letter from Pixar animator Austin Madison.

    To Whom it May Inspire,

    I, like many of you artists out there, constantly shift between two states. The first (and far more preferable of the two) is white-hot, “in the zone” seat-of-the-pants, firing on all cylinders creative mode. This is when you lay your pen down and the ideas pour out like wine from a royal chalice! This happens about 3% of the time.

    The other 97% of the time I am in the frustrated, struggling, office-corner-full-of-crumpled-up-paper mode. The important thing is to slog diligently through this quagmire of discouragement and despair. Put on some audio commentary and listen to the stories of professionals who have been making films for decades going through the same slings and arrows of outrageous production problems.

    In a word: PERSIST.

    PERSIST on telling your story. PERSIST on reaching your audience. PERSIST on staying true to your vision. Remember what Peter Jackson said, “Pain is temporary. Film is forever.” And he of all people should know.

    So next time you hit writer’s block, or your computer crashes and you lose an entire night’s work because you didn’t hit save (always hit save), just remember: you’re never far from that next burst of divine creativity. Work through that 97% of murky abyssmal mediocrity to get to that 3% which everyone will remember you for!

    I guarantee you, the art will be well worth the work!

    Your friend and mine,

    Austin Madison

    “ADVENTURE IS OUT THERE!”

    (Source: nquo)

     
  8. Squidffiti

    Squidffiti

     
  9. 
To live a creative life, we must loose our fear of being wrong.

-Joseph Chilton Pearce

    To live a creative life, we must loose our fear of being wrong.

    -Joseph Chilton Pearce

    (Source: cityy-lights)

     
  10. Dishwasher - Jean Dubuffet, 1965
From the National Galleries of Scotland:

Between 1962 and 1974 Dubuffet worked on an important series he called ‘l’Hourloupe’, to which this work belongs. ‘Hourloupe’ is an invented word which Dubuffet said, “calls to mind some object or personage of fairytale-like and grotesque state”. Verging on abstraction - a figure can just be made out on the left side, holding a brush and facing a bottle – ‘Dishwasher’ is composed of interlocking, jigsaw-like shapes. The series began as ball-point pen doodles and display what Dubuffet described as his “meandering, uninterrupted and resolutely uniform line, which brings all planes to the surface”.

    Dishwasher - Jean Dubuffet, 1965

    From the National Galleries of Scotland:

    Between 1962 and 1974 Dubuffet worked on an important series he called ‘l’Hourloupe’, to which this work belongs. ‘Hourloupe’ is an invented word which Dubuffet said, “calls to mind some object or personage of fairytale-like and grotesque state”. Verging on abstraction - a figure can just be made out on the left side, holding a brush and facing a bottle – ‘Dishwasher’ is composed of interlocking, jigsaw-like shapes. The series began as ball-point pen doodles and display what Dubuffet described as his “meandering, uninterrupted and resolutely uniform line, which brings all planes to the surface”.

     
  11. Grinning rocks… Slightly disturbing but very creative in an unexpected yet humorous way. By Hirotoshi Ito.

     
  12. 
Tho’ much is taken, much abides; and tho’We are not now that strength which in old daysMoved earth and heaven, that which we are, we are;One equal temper of heroic hearts,Made weak by time and fate, but strong in willTo strive, to seek, to find, and not to yield.

-Alfred, Lord Tennyson
Artwork: “Temple”, mixed-media on canvas, 21” x 31” by Doug Pullerwww.dougpuller.com

    Tho’ much is taken, much abides; and tho’
    We are not now that strength which in old days
    Moved earth and heaven, that which we are, we are;
    One equal temper of heroic hearts,
    Made weak by time and fate, but strong in will
    To strive, to seek, to find, and not to yield.

    -Alfred, Lord Tennyson

    Artwork: Temple”, mixed-media on canvas, 21” x 31” by Doug Puller
    www.dougpuller.com

     
  13. Cows Made From Recycled Car Parts by Miina Äkkijyrkkä

    Having spent most of her life working with cows, Miina behan purchasing used cars from around Finland and turning the scraps into giant metal idols of her favorite bovine. Just give them the ability to walk, Miina, and we can march on the rebel base. You and me, let’s do this.

    (Source: ianbrooks)

     
  14. Otherworldly: optical delusions and small realities
museum of arts and design, new york
miniature work by lori nix‘beauty shop’ (in progress), 2010

    Otherworldly: optical delusions and small realities

    museum of arts and design, new york

    miniature work by lori nix
    ‘beauty shop’ (in progress), 2010

     
  15. whokilledbambi.co.uk
jeremy forson

    whokilledbambi.co.uk

    jeremy forson

    (Source: 2headedsnake)